Its magnificent entrance from the second half of the 18th century stands out. Here we need to stop to look at the stone head’s eyes of the entrance, an atrophied sphinx which forces the spectator to look at the coat of arms that, framed by two spiral flowers, is hanging in the lintel. In this entrance from the 18th century, there is an effort to break the eaves and enlarge itself: there is a canopy which presents a series of waving which contrasts with the straightness of the hollows and the pillars in low relief.
Private. No visits.